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Buckeye Burl almost doesn't look like wood with its blueish colors. The wood is typically a creamy yellow, mixed
with dark inclusions of bark. The blue is from a fungus stain. Don't worry! This bass won't rot out of your hands. The
fungus requires moisture levels above 18% to survive. We dry the wood so the fungus is arrested and its blue color preserved.
Sometimes as a burl gets larger, it
overgrows itself and some of the bark gets ingrown. This habit also leaves large gaps or voids across a slab. Kris expertly
inlays bookmatched Buckeye from another part of the slab to replace these areas that aren't fit for basses. Of course when
the bark is stable enough and pretty enough, we leave it in place like on the back of this
bass.
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The Omega carving at the bottom of the bass is first cut by bandsaw. Then Tony carves the wood to form the Omega.
From this angle, you get a detailed
look at the tip of the Omega. The small piece of Maple is actually part of the neck. With any bass you should always
use a stand and never lean it against your amp. This is especially true with an Omega cut. While the glue joint is sound, you
can see it's small and should never be used to support the weight of the bass. The neck itself is made from seven
laminates of Maple and Ebony. The Ebony neck laminates emphasize the fundamental sustain. When playing eighth-notes, you
might not be aware of it, but when playing music such as ballads with longer sustained notes, you'll find the foundation this bass
lays out is massive.
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How could this bass not have continuous wood backplates? These plates are cut from the back laminate before
the body is assembled. Bob uses his scroll saw to remove the plate. Kris then makes a custom plywood from the
plate forming a symmetrical stack of alternating woods to give it added strength and stability. All we know is that it looks
awfully cool. |
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SPECIFICATIONS
Ed Roman Guitars 4305 South Industrial Rd. Bldg#165 Las Vegas, NV 89103 (702) 798 4995 phone (702) 798 8521 fax |
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